But the old guard of gentlemen adventurers (led by Stephen Fry as Lord Piggot-Dunceby) don’t want him to succeed, so they set the dastardly Williard Stenk (voiced by Timothy Olyphant) on their tail. Link sees as his cousins and his best chance for companionship. Joined by Adelina Fortnight (voiced by Zoe Saldana), the mismatched pair travel to the Himalayas, where they hope to find the yetis, who Mr. Link (voiced by Zach Galifianakis), a lonely Bigfoot who just wants to find others of his kind. Once in the Pacific Northwest, he meets genial Mr. After a mission to prove the existence of the Loch Ness Monster goes wrong, he receives a letter sent from Washington state, promising to deliver him proof of the Sasquatch, and he gamely makes the cross-Atlantic and then cross-country journey. For this film, we’re introduced to Victorian-era cryptozoologist Sir Lionel Frost (voiced by Hugh Jackman), who is desperate for the approval of his adventurer peers in London. “Missing Link” doesn’t follow the same beats as last year’s “ Smallfoot,” but Laika movies have previously been so weird that we were unlikely to see anything resembling an “ Armageddon“/” Deep Impact” situation. While ‘Kubo’ and “ The Boxtrolls” are unique movies, “Missing Link” isn’t even the only recent film set among the yetis. But while their latest movie is always entertaining and visually on par with most of their previous offerings, “ Missing Link” doesn’t have the big, bizarre ideas that have characterized the studio’s best work and set them apart from the other animation houses in the past. Even if you could ignore their stop-motion animation, Laika films are immediately identifiable by their oddball aesthetic and approach to the world. (I see you, “ Cars 3,” “ Incredibles 2,” and “ Toy Story 4.”) Laika’s films themselves espouse themes of courage and kindness to their young audiences, but they don’t feel didactic. From “ Coraline” to “ Kubo and the Two Strings,” their stop-motion features are wildly creative and weird, stemming the tide against the endless sequels we see elsewhere in the animation game, even though original ideas and executions are less dependable sources of cash. It seems silly to assign a positive morality to a company in this day and age–or, you know, ever–but Laika has truly seemed to be a source for good in the world.
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