The export of files/slices is very simple: choose the format ( wav 16, 24, 32 bits ), m4a, mp3, flac, alac, and save to various locations. Immediate opening of audio files from an integrated browser or from Files ( wav, mp3, m4a, flac, ogg and more ).īrowser with access to any folder in Files ( including external storage ), search function, waveform preview and gapless looping of the selected file,ĭrag and drop to the workspace, visible file extension. Quick creation of regions by adding markers and split of these regions to new windows, or instant saving of the slices. ![]() This allows to easily select, copy, paste between windows. You can open multiples files ( each in its own window ), Now the technical goodies ( including some unusual features ): Third, the developper ( Luis Rivas ) is quite responsive and listening to feedback. ![]() Second, it is Universal.( IPhone, iPad, Mac ) So let me tell you why I now enjoy so much working with it. Immediatly I felt at home with this audio editor. Today I'd like to share with you all a little gem I discovered recently. Some apps have a dense UI with lots of buttons, menus, pages, others are more on the minimalist side, yet sometimes not terribly obvious to use. Often some convenient features found in one app are lacking in others. such as used by the Smiths and many others.There are chances that everyone of us in this forum use an audio editor for making/tweaking samples, loops, or any other creative purposes.įortunately we have enough choice in that field: from veterans like TwistedWave, Hokusai, WavePad, to newcomers like Auditor and Neon ( even Koala ), to mention just a few. it works, but also increases volume a lot in high headroom amps. and why you would use them.Ĭlean Boosting a clean amp is usually aimed at compressing the pre-amp tubes. Then throw in why you have Attack, Release, Blend, Sustain, Make-Up Gain, Threshold (see Comp Level). The two main factors are "Compression Level" and "Compression Ratio". Hence my earlier suggestion that it is worth understanding what a compressor (or possibly "limiting amplifier") is doing. One thing compressors can do is allow you to simulate power amp compression at lower volume. Also, its the "power amp tube compression" that is usually the desired source. It depends on the amp of course, but that can be either very loud, or already distorting. The thing with high headroom (clean) tube amps, is that to get that sound they usually need to be cranked to a point where compression starts to occur. I’ll also mention that I LOVE using the Beano boost with a clean LP. ![]() It’s a spectacular “tone enhancer”, to my tastes.Īll this to say, I’m pissed at Brian for making the mini version like right after I got the full size. As I don’t have time in my life to sit around and geek out on muh sick toanz, bruh, I need something that I can spin some knobs around quickly and get what I’m after, and the Wampler is that. I have to turn them all the way left/center/right to really get a feel for it. I’m still a little ignorant as to what everything does, and I’ve turned some knobs that don’t seem to make a difference to my laymen's ears, although others might hear it and cringe. ![]() It does everything from beef up a clean strat, limit my lap steel (no additional sustain needed there, lol), add sustain for slide (on both acoustic and electric) and breathe fire into an already-cooking amp. Personally, I think Wampler absolutely NAILED it with the Ego, but it’s the only one I’ve ever used. Ideally, they’re fairly transparent, and modern-style offerings have a dry blend control that takes your original signal and blends it back in with the compressed signal, giving a more natural sound. They can be anywhere from really subtle to very noticeable.
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